BO JUNG





Contact

bogeumjung(at)gmail.com
Instagram


Bo Jung is a graphic designer based in New York and Seoul, focusing on exploring the boundary between art and commerce. He holds a BFA in Design from the School of Visual Arts (SVA). He previously worked with No Ideas and Gretel, and is currently a brand designer at Shopify.

IDENTITY

    1. PRIMO
    2. BROAD
    3. HACK
    4. QUEST
    5. BRYANT PARK
    6. HOTTRAX
    7. CALARTS

EDITORIAL

    1. PPF MAGAZINE
    2. OFFP
    3. PAST, PRESENT AND FUTURE

ETC

    1. BRAIN DAMAGE : ERIK PARKER
    2. TIME
    3. RORSCHACH ARCHIVE
CV





Education

School of Visual Arts
Bfa Design
2022 – 2026

Hansung Univ.
Computer Science
2017 – 2019

Experience 

Shopify
Sep 2026 — Now

Gretel
Jul 2026 – Sep 2026

No Ideas
Jun 2026 – Jun 2026
Jan 2025 – Feb 2025

Kusneuf NYC
Jul 2023 – May 2024

Republic of Korea’s Air Force
Apr 2020 – Jan 2021

Skills

Adobe Photoshop
Adobe Illustrator
Adobe After Effects
Adobe Indesign
Blender
Figma

Awards

Young Ones TDC
Type Design, Communication Design
Type high 
Silver X 1 Bronze x 1
2026

Indigo Awards
Gold X 1 Silver X 2 Bronze x 1
2026

Graphis New Talent
Silver X 2
Honorable Mention X 3
2025

SVA Gallery Spring Show
2025

SVA EMERGE Show
2025

Language

English
Korean(Native)





Last Updated 07.23.26



WORKS






CalArts
Visual Identity
Instructor — Paula Scher
2025


CalArts is located in the suburbs, geographically isolated from the city center. I reinterpreted this isolation not as a disadvantage, but as the school’s greatest strength: a place of undistracted focus.

The isolated circle in the letter 'r' symbolizes this unique positioning—a creative sanctuary where students can fully immerse themselves in their craft. This "Dot" also serves as a multi-layered homage to CalArts' heritage: it references the ears of Mickey Mouse, the conceptual art of John Baldessari, and motion capture markers. To bring this concept to life, I utilized p5.js coding to automate the random placement of these dots. This generative approach ensures the system remains dynamic and unpredictable, mirroring the school's experimental nature.

Typographically, the identity balances the avant-garde with the academic. While the display type is driven by the geometry of Futura, I paired it with Univers for body text to introduce a grounded, scholastic tone. This combination enables "witty moments" within the layout—allowing the system to be playful and experimental while maintaining the clean, simplified structure required for an educational institution.